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Grateful Dead ยท 1979

Oakland Auditorium Arena

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What to Listen For
The return after hiatus โ€” listen for the Terrapin-era repertoire and Jerry's peak guitar work.

By the close of 1979, the Grateful Dead were deep into one of their most musically confident stretches, riding the momentum of a band that had fully absorbed the Brent Mydland era and was beginning to hit its stride with the new lineup. Brent had come aboard in April of that year following Keith and Donna Godchaux's departure, and by December the chemistry was undeniable โ€” his gospel-inflected Hammond organ and grittier vocal style gave the band a new musculature, a rawer edge that complemented Jerry Garcia's leads in ways that felt fresh without abandoning the family sound. The Dead had spent much of 1979 touring relentlessly and finding their footing with Brent, and by the year-end Oakland run they were playing with real authority. The Oakland Auditorium Arena was as close to home turf as the Dead could get outside of San Francisco proper โ€” a storied East Bay room with history baked into its walls, beloved by the Bay Area faithful who packed it with the particular fervor of a hometown crowd. These late December runs at Oakland were almost ritualistic for the band and their followers, a way of closing out the year on familiar ground surrounded by their most devoted community. The room itself has an intimacy that belied its size, which meant the energy between stage and floor could reach a kind of voltage that bigger arenas rarely achieved. The fragments we have from this night give us a tantalizing glimpse into the second set's deeper reaches.

"Drums" in this era was becoming an increasingly adventurous solo feature for Bill Kreutzmann and Mickey Hart, the two drummers having developed a percussive vocabulary that could carry a crowd from hypnotic trance into full catharsis over its duration. What follows โ€” "I Need A Miracle" โ€” is the real treat here. That Bob Weir romp is one of the most purely joyful songs in the late-seventies repertoire, a locomotive shuffle that practically demands you move. The way it emerges out of the rhythmic fog of Drums, with Brent's organ swelling in and the crowd catching that first familiar groove, is one of the small perfect moments the Dead pulled off night after night. If you're exploring the Brent transition and want to hear what the band sounded like when it was starting to click into its new identity, this December Oakland night is exactly the kind of show worth chasing down. Press play and let Drums carry you somewhere unexpected before "I Need A Miracle" brings you home.