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Grateful Dead ยท 1987

Long Beach Arena

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What to Listen For
Brent's keyboards, 80s drum tones, and the tension between classic songs and newer material.

By the fall of 1987, the Grateful Dead were riding a wave of unlikely mainstream momentum. "Touch of Grey" had cracked the top ten that summer, *In the Dark* was their first charting album in over a decade, and arenas that once seemed oversized were now routinely packed with a new generation of fans mixing alongside the lifers. The band that took the stage at Long Beach Arena on November 13th featured the classic late-period lineup: Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Brent Mydland, whose Hammond organ and warm baritone had by this point fully settled into the fabric of the band. Brent was no longer the new guy โ€” he was essential, bringing a gospel-tinged intensity that pushed the band into emotional territory Pigpen had once mapped from a very different direction. The fall '87 tour found the Dead in confident, sometimes inspired form, navigating the strange new reality of being genuinely famous again. Long Beach Arena, tucked into the Los Angeles basin just south of downtown LA, was a reliable stop on the Dead's Southern California circuit throughout the arena era. It held around thirteen thousand people and had the kind of reverberant, concrete-bowl acoustics that could work for or against the band depending on the night โ€” when the sound locked in, it could feel enormous; when it didn't, things could get muddy fast.

Southern California crowds brought their own energy, and Long Beach in particular had a reputation for enthusiastic rooms. The lone confirmed song in our database from this show is "Bird Song," and it's a choice worth lingering on. Written by Jerry and Robert Hunter as a tribute to Janis Joplin after her death in 1970, "Bird Song" is one of those Garcia vehicles that seems to exist partly outside of time โ€” the melody unfurls slowly, and the outro jams can stretch into genuinely exploratory territory, with Jerry coaxing long, searching lines over a cushion of Phil's bass and the drummers' patient pulse. By the late '80s, "Bird Song" had become a setlist staple that rewarded close listening, and a strong version could anchor a first set or float into the second like a reverie. Listen for the conversation between Garcia's lead and Brent's fills โ€” when those two locked in, something special happened. If you're approaching this show fresh, let "Bird Song" be your entry point and see where the night takes you from there.